One of the best Solo moments was when Solo goes to see Victoria at her office. At one point, he's looking out that big window. In the corner of the shot, you can see they're taking the truck out of the water.Blowfeld wrote:Their background alterations did bother me some, not enough to detract from the movie. I like they style, I like the music, they story was not quite there, however the director could have overcome the short coming by embracing how the movie should feel, like a Ian Fleming thriller.Napoleon Solo wrote:
I liked it fine. It's not the UNCLE movie I would have made. Still, to me, Solo was recognizable (even if his background was changed). They took more liberties with Kuryakin, although Sam Rolfe's initial concept was Illya as "a big Slavic man."
Years ago, I had a notion for an "origin" movie. It was based on something mentioned in passing by villain G. Emory Partridge (George Sanders) in the first of his two appearance. If you had done something like that, you could still do a new story while still throwing the original fans a bone.
I was hopeful The Man From Uncle could merge the new action movies with Fleming thriller, kind of disappointed myself because it feels like wasted effort to not pull it off. Sort of like the Doctor Who TV movie from the 90's. While I defend the movie alot of detractors love to hate, there was nobody behind the production ready to fight to get more made so in one way of looking at it is a waste of effort, however it did help keep Doctor Who alive and revitalized the books and audio dramas until the series could come back.
Then, Solo realizes he's been drugged. But instead of the typical trying to strike before becoming unconscious, Solo simply lays down on the couch. "I've been here before." Also, when Victoria calls him "Mr. Solo," the movie seems to move into a higher gear.