the # 1 007 James Bond is Pierce Brosnan. Classy,Charismatic

100% agree. And about P.Brosnan.. He was the best. There is some attracting negligence in his look. Something charming and alerting at the same time. That's real Bond!Thunderpussy wrote:"Daniel Craig is not James Bond, NO Class, NO Charisma !" I can't disagree with any of that. Welcome abord
I guess that could be consider a causal look, that how I take it any way. it was obvious pierce was at ease in the role. As sean and roger moore were.There is some attracting negligence in his look
Chief of Staff, 007's gone round the bend. Says someone's been trying to feed him a poisoned banana. Fellow's lost his nerve. Been in the hospital too long. Better call him home.
Hey Stocks good to see ya!stockslivevan wrote:If Pierce Brosnan had played Bond like he did in the Cuba scenes in DAD in the rest of the flicks, sure, he might have made a pretty good Bond I think.
Chief of Staff, 007's gone round the bend. Says someone's been trying to feed him a poisoned banana. Fellow's lost his nerve. Been in the hospital too long. Better call him home.
That's a great point. The fill-in composers during Barry's reign (Martin, Hamlish and Conti) all managed to do a pretty good job, but since Barry left the series the music really hasn't been up to par at all. Kamen, Serra and Arnold don't bring the same disntictive combination of suspense, stirring heroism and glamor that Barry brought film after film. Based on his previous work, I have no real hope for Thomas Newman either. Most of his stuff sounds like a less energetic version of Yanni, which is really saying something.commander0077again wrote:Brosnan displayed a more Bondian edge with After the Sunset and he was more confident in The Thomas Crown Affair. He needed a Peter Hunt who knew what a Bond story should be, and a John Barry, because without such a composer, Bond movies, and movies in general lose effectiveness; so much that I call the composer the supporting actor. In Barry's case he should've received an Oscar.
I disagree, Nolan's use of music is perhaps the only thing I don't like about him as a director. TDKR was an improvement, he seems to have learned that not every scene needs blaring music, but I found the score very intrusive in both TDK and Inception.commander0077again wrote:They need a Christopher Nolan of film scores, someone who understands that Bond needs beautiful melodies, full orchestrations with unique bits, for example, the electric bass in OHMSS; the acoustic guitars along Louis Armstrong, and don't forget those french horns! Even the rather generic DAF theme is way above the current films. And it wouldn't hurt to have a singer with real pipes.
Oh, I heard a version of the Beatles' In My Life, and it has an intro with Connery with instrumental in background, and then launches into the original version. Connery shays the lyrics, doesn't sing them.
Should Nolan direct a Bond, I would have high hopes he would find a Bond composer. Again, the composer, especially in a Bond film, is one of the characters in the film. He should be the best supporting actor.