What Kind of Film Character is Bond?

General Bond discussion from Sean Connery to Pierce Brosnan
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Kristatos
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Post by Kristatos »

Captain Nash wrote:I'd update to a cd myself. :lol:
Nobody's forcing you to listen.
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Post by Captain Nash »

But I do so enjoy the music here.
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Post by Skywalker »

The Sweeney wrote: A Bond who thinks twice before jumping off a crane
Shame he didn't think twice about climbing it. :wink:
The Sweeney wrote:Bond who looks slightly uneasy, a blunt instrument
Agreed. :?
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Post by The Sweeney »

paco chaos wrote:blonde hair, and no personality.
The Bond of the novels wasn't exactly a bundle of laughs either, so no personality fits the bill perfectly.
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Post by James »

a Bond who thinks twice before jumping off a crane

CR had a schizophrenic quality. The film was essentially trying to burn the candle at both ends. It didn't work for me as a popcorn experience or as a more 'worthy' Bond entry. It just fell somewhere inbetween the two and sank.
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Post by Skywalker »

James wrote: The film was essentially trying to burn the candle at both ends. It didn't work for me as a popcorn experience or as a more 'worthy' Bond entry. It just fell somewhere inbetween the two and sank.
I agree with you James. It was a poor attempt to mix two different types of genre.
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Post by The Sweeney »

James wrote:
a Bond who thinks twice before jumping off a crane

CR had a schizophrenic quality. The film was essentially trying to burn the candle at both ends. It didn't work for me as a popcorn experience or as a more 'worthy' Bond entry. It just fell somewhere inbetween the two and sank.
I can understand why people think this. Out of all the many arguments vented by the anti-Craigers, this is probably the one I can most relate to.

The film certainly does have a `2 part' feel to it, where we see Craig perform miraculous stunts in the first part, and in the second part he has trouble coming to terms with a fight he has just had with 2 men on a staircase.

I think the action sequences in the first half are the problem, not the more realistic approach in the second half. That's just my opinion anyway.

Having said that, this disjointed approach is still very subtle when compared to other Bond films that have attempted this mix (all the Brosnan ones for example). And fortunately I enjoyed the film overall so much, this never really caused me a problem.
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Post by Captain Nash »

Some interesting thoughts being bandied around here, and for once a worthy discussion seems to be growing from it.
As The Sweeney was saying the film does feel like it's in two parts, the action of the first act. Up untill M sends Bond to Montenegro, and then the second act. The poker game and the finale.
I see it like this, in the first half of the film, act 1, Bond has been given his OO, hes eager, and makes mistakes. His adrenalin and inpatience or driving force get the better of him. It's him alone.
But after the stairwell fight it affects Vesper. Someone from outside the cold blooded killing. A seemingly innocent woman brought into his world. And Bond feels bad for this. The realisation strikes him. The real nature of what he does and what he's done hits him.
The latter shower scene shows us that this Bond has a human side (not saying any of the others didn't) but he understands what has happened, and feels bad for it. He's realised his world is different to Vespers, and shows compassion. All the Bond actors have done this in one or more of there films. It's good to have this kind of scene in Bond films from time to time, I feel.
Doesn't have to be in every film, but once in a while we need to be reminded what a lonely job he has. It brings more depth to the character, and it was one of the reasons I enjoyed Casino Royale.
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Post by Skywalker »

Captain Nash wrote:Some interesting thoughts being bandied around here, and for once a worthy discussion seems to be growing from it.
As The Sweeney was saying the film does feel like it's in two parts, the action of the first act. Up untill M sends Bond to Montenegro, and then the second act. The poker game and the finale.
I see it like this, in the first half of the film, act 1, Bond has been given his OO, hes eager, and makes mistakes. His adrenalin and inpatience or driving force get the better of him. It's him alone.
But after the stairwell fight it affects Vesper. Someone from outside the cold blooded killing. A seemingly innocent woman brought into his world. And Bond feels bad for this. The realisation strikes him. The real nature of what he does and what he's done hits him.
The latter shower scene shows us that this Bond has a human side (not saying any of the others didn't) but he understands what has happened, and feels bad for it. He's realised his world is different to Vespers, and shows compassion. All the Bond actors have done this in one or more of there films. It's good to have this kind of scene in Bond films from time to time, I feel.
Doesn't have to be in every film, but once in a while we need to be reminded what a lonely job he has. It brings more depth to the character, and it was one of the reasons I enjoyed Casino Royale.
A nice summary there Nash. Well thought out and you've backed up your opinion.
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Post by Captain Nash »

Sometimes we agree eh?
Not always but there are moments. :wink:
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Post by Jedi007 »

And yes, Bond was egotistical, and he was also arrogant in the novels.
Really? Then since it seems to me that you're the Fleming know-it-all here, why not post a couple of pages from your Fleming books that shows Bond as arrogant and egotistic. Oh, and I also want a scene where it shows Bond crashing through a wall, driving a bulldozer through a construction site filled with workers, and attacking an embassy.
a Bond who stares himself in the mirror, reflecting after killing 2 men, bloodied and drinking a glass of bourbon
I thought Bond here wasn't bothered killing people.
a Bond who physically looks menacing, looks threatening, looks like he could kill.
As if that 'killer look' could pass off as a spy acting as Universal Exports businessman. It is actually more believable if he would try to play a crime boss bodyguard.
`B...b...but he has blonde hair?'
And looks like Gottfried John. Andreas Wisniewski and Götz Otto were even better looking than him.

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Post by Captain Nash »

Jedi007 wrote:
`B...b...but he has blonde hair?'
And looks like Gottfried John. Andreas Wisniewski and Götz Otto were even better looking than him.
Got a thing for blonde men do we Jedi.
Not that there's anything wrong with that. :wink:
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Post by Jedi007 »

Got a thing for blonde men do we Jedi.
Not that there's anything wrong with that.
That two played a Red Grant type villain. I am just saying that Craig is much suited in that role than playing Bond.
BOND sells, NOT CRAIG
The reboot is a risky area, did Eon need to do it? NO. Did this confuse alot of people? YES.
The Bond character will always be anchored in the values of the 60s
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Post by Captain Nash »

Again I disagree, but hey ho.
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Post by The Sweeney »

Jedi007 wrote:
And yes, Bond was egotistical, and he was also arrogant in the novels.
Really? Then since it seems to me that you're the Fleming know-it-all here, why not post a couple of pages from your Fleming books that shows Bond as arrogant and egotistic.
Nope. I can't be bothered. Either take my word for it, or read the novels yourself to find out if I am lying.
Jedi007 wrote: Oh, and I also want a scene where it shows Bond crashing through a wall, driving a bulldozer through a construction site filled with workers, and attacking an embassy.
There is no scene like this in the Fleming novels. There again, every single Bond film has scenes that are not from the Fleming novels (yes, even FRWL and OHMSS...shock horror!! :shock: )
Jedi007 wrote: I thought Bond here wasn't bothered killing people.
You obviously interpreted the scene different to me then. Check out his reaction after the bathroom scene in the pre credits too.
Jedi007 wrote: As if that 'killer look' could pass off as a spy acting as Universal Exports businessman. It is actually more believable if he would try to play a crime boss bodyguard.
So are you saying Bond never looked dangerous, menacing, threatening in the novels then....... :lol:
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Post by Jedi007 »

There is no scene like this in the Fleming novels. There again, every single Bond film has scenes that are not from the Fleming novels (yes, even FRWL and OHMSS...shock horror!! )
You've hit it, Sweeney! Bingo! Bravo! (There' should be a clapping emoticon here). No Bond films has been truly faithful to the Fleming novels. So how come CR's better than the other? Why do the known cinematic elements needed to be discarded when the real Fleminguesque Bond cannot be brought unto the screen? Why the total continuity reboot crap when really unnecessary and doesn't really make any sense at all?
So are you saying Bond never looked dangerous, menacing, threatening in the novels then.......
He looks like a scary monster then.
BOND sells, NOT CRAIG
The reboot is a risky area, did Eon need to do it? NO. Did this confuse alot of people? YES.
The Bond character will always be anchored in the values of the 60s
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Doctor No
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Ah heck all of them
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Post by Captain Nash »

Jedi007 wrote:No Bond films has been truly faithful to the Fleming novels. So how come CR's better than the other?
No-ones trying to say it is.
Why do the known cinematic elements needed to be discarded when the real Fleminguesque Bond cannot be brought unto the screen?
Why can't a portion of the Bond of the novels be mixed with that of the films?
Why the total continuity reboot crap when really unnecessary and doesn't really make any sense at all?
Ask Eon, it works for me, but they make the choices, I just watch the films and enjoy them. :P
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Post by The Sweeney »

Jedi007 wrote:
There is no scene like this in the Fleming novels. There again, every single Bond film has scenes that are not from the Fleming novels (yes, even FRWL and OHMSS...shock horror!! )
You've hit it, Sweeney! Bingo! Bravo! (There' should be a clapping emoticon here). No Bond films has been truly faithful to the Fleming novels. So how come CR's better than the other?


Who is really saying that. Most are saying it is the best Fleming adaptation since OHMSS and FRWL, which are equally great films.
Jedi007 wrote: Why do the known cinematic elements needed to be discarded when the real Fleminguesque Bond cannot be brought unto the screen?


How about a mixture of the two, which most Bond films have (yes, even CR).
Jedi007 wrote: Why the total continuity reboot crap when really unnecessary and doesn't really make any sense at all?
Because CR was the first Fleming novel, where Bond is at the start of his career and makes mistakes. To ignore this is ignoring the essence of the novel itself.
Jedi007 wrote: He looks like a scary monster then.
No, just dangerous, menacing and threatening. Or does that make him a big scary monster in your eyes......?
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Post by Jedi007 »

May I ask you, Is Bond really just starting his career in the real Casino Royale and make dumb mistakes?
BOND sells, NOT CRAIG
The reboot is a risky area, did Eon need to do it? NO. Did this confuse alot of people? YES.
The Bond character will always be anchored in the values of the 60s
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Post by The Sweeney »

Jedi007 wrote:May I ask you, Is Bond really just starting his career in the real Casino Royale and make dumb mistakes?
I take it you haven't read the novel then...... :roll:
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